July 11 + 12 • We Are Scientists (2 Nights!) • Moroccan Lounge @ Moroccan Lounge, Los Angeles [from 11 to 12 July]

July 11 + 12 • We Are Scientists (2 Nights!) • Moroccan Lounge


37
11 - 12
July
19:30 - 23:30

 Facebook event page
Moroccan Lounge
901 E 1st St, Los Angeles, California 90012
Wednesday July 11 + Thursday July 12, 2018
We Are Scientists
Live at Moroccan Lounge for two special shows!

7:30 Doors Open / Ages 21+

7/11 Tickets: https://ticketfly.com/purchase/event/1666063
7/12 Tickets: https://ticketfly.com/purchase/event/1666065

COMPANY INTELLIGENCE REPORT 2018

AMERICAN MUSICAL ENTERTAINMENT GROUP ‘WE ARE SCIENTISTS’: ASSESSMENT OF THREAT POTENTIAL TO ‘FANS’, OTHER ENTERTAINMENT GROUPS (LIKELIHOOD OF PERSUASIVE INFLUENCE), AND STABILITY OF CULTURAL NORMS

Summary

• Primary members Keith Austin Murray, guitar and main vocalist; and Christopher Ian Cain (“Chris”), bass (low pitched) guitar. Live performances include at least one associate using drums; Keith Francis Carne most frequent present-day associate since approx. 2013.

• Recent activity surrounding album “Megaplex,” release date 27 Apr. 2018. Distribution through 100% Records (UK), Grönland Records (Europe), The Orchard (N. America), Create/Control (Australia/NZ).

• Five previous long-playing albums dating to 2005, including gold-selling (UK) first “With Love & Squalor,” per Wikipedia.

Detail

1) Band was formed in 2000, in Berkeley, CA. At early shows members wore matching canvas jumpsuits — possible Marxist/Maoist messaging(?).

2) According to Source A, a family relation of one band member, prior to being signed to a publishing deal with Sony/ATV in 2005, one or both band members routinely “whined” about the unfairness of the music industry. Gripes included: “How is it possible that fucking OKGO are on MTV?”, “How the fuck are The Strokes a real band?”, and “What the fuck is supposed to be good about Interpol?” Presumption of parity with hierarchically ascendant bands suggests communist schematicism.

3) Albums released include “With Love & Squalor” (2005), “Brain Thrust Mastery” (2008), “Barbara” (2010), “TV en Français” (2014), “Helter Seltzer” (2016). Naming conventions suggest Marxist tendency, xenophilic/subversive anti-patriotism, cultism, radical first-wave feminism, Francophilia, & Beatlemania.

4) Source D, a promoter in Vienna, recounts that after a festival appearance there in 2017, the band returned to a hotel provided by source and “shredded a Bible” found in a drawer. This was confirmed by [NAME REDACTED] at [HOTEL NAME REDACTED].

5) New album “Megaplex” was recorded in New York City with producer Max Hart, a longtime collaborator. MH played keyboards with the band from 2007-2009; subsequently moved to Katy Perry’s band; subsequently to Melissa Etheridge’s. Also produced 2016’s “Helter Seltzer.” MH’s father was a union organizer in Northern California/Sacramento area; MH likely Trotskyite Marxist.

6) Source A says that when he was 19, Chris Cain stole her television and sold it to pay for a “Nintendo game” which he had been disallowed by source to possess. (Subversion of authority, criminal sociopathy, video game addiction.)

7) Source F, a producer at The Late Show with David Letterman, says that after the band’s second of three appearances, a pair of “shitty underwear” was found in a garbage can in their dressing room.

8) Internet-archived schedules for live events reveal visits — often extended — to over thirty countries, only fourteen NATO. “Touring” appearances may cover a pattern of seditious campaigning on behalf of various local insurgent interests.

9) International festivals where the band has performed include Glastonbury, Coachella, Reading & Leeds, Rock am Ring, Benicassim, Chasm (nudist), Beaches II: No Fear, Was Ist Himmel? (BDSM), Rounders (poker tournament based on the film), Gravid Aura (impregnation), and V Festival.

10) Source B, a member of the band’s crew for several years, attests that members rarely if ever drink flat water, strongly preferring carbonated. Collectivist implications of deliberate ingestion and subsumption of large quantities of bubbles are clear. Whether expressed inadvertently as pathology of indoctrinated ideas, or deliberately as a clandestine rebuke of capitalist anti-agency (per Marx), is less clear.

Conclusion

We Are Scientists’ anonymity from this agency has been overlong, and to potentially significant harm. Recommend concerted campaign to seed local and national media with adulatory praise of their every musical activity in order to reduce countercultural credibility & political influence. ————————END/
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